EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Instrumental
  • Soul
  • Uncategorized

Allen Stone – Allen Stone [ALBUM REVIEW]

  • October 8, 2011
  • Liz Choi
Total
0
Shares
0
0

On Wednesday, Allen Stone dropped his second self-released album. By Thursday, on both Spotify and iTunes combined, I'd listened to the album eleven times. I think my office mate hates me. I remember one time I accidentally clicked the first song on the album, though I was listening to the fourth or fifth song, and I went back to the beginning of the album. And I didn't even care.

Well anyway.

I love hearing this guy live any chance I can get, which isn't as often as I'd like, so undoubtedly the next best thing to hearing him live is listening to his albums. Overall, Allen Stone continues to reflect his trademark impassioned vocals with great lucidity and yet that's hardly the only thing that matters. In terms of Stone's style or musical prowess, while this album does not necessarily profile a major departure from Last to Speak, fans will, at the very least, appreciate the lively, jubilant energy found on tracks like "Sleep" or "Say So". And as long as we have Stone's thoughtful lyricism, I'm not really complaining. Stone is one of the few talented musicians you can take at face value. His sincerity, lyrically — not just musically — is admirable.

Allen Stone singing "Unware", live at NYC's SOB

[youtube]https://www.youtube.com/watch?v=zMcTP4poSyk[/youtube]

Stone said in an interview with Billboard that recording this album was  "a dream come true". Inevitably it is one for listeners as well. On this album we are treated to members of Raphael Saadiq's band and musicians like Darren Johnson, who played with Miles Davis, and the result is a lush auditory landscape that unfolds like an adventure map in your ears. Listening to "Contact High" or "Satisfaction" with any iTunes visualizer on will convey this exceptionally well.

It will be exciting to see where Stone's career takes him in the next few years as its clear that he has the talent and charisma to venture far into the ranks of the music industry. In its first week of release, Allen Stone descended upon iTunes' R&B Top Charts at number two, which is remarkable for an unsigned artist competing with Chris Brown or Amy Winehouse.

I'm still a fierce advocate of seeing Stone live but until you can get your caboose to a local show, very seriously consider investing $5.99 on this album so deserving of praise, recognition and looped replays.

Check out the entire album on Root Music Player.

Allen on Twitter

Allen on Facebook

Related Links:

MTV: The Buzz on Allen Stone

Billboard interview with Allen Stone

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Album Review
  • billboard
  • Miles Davis
  • MTV
  • raphael saadiq
Liz Choi

Previous Article
  • House

John Dahlback @ The Hoxton Saturday October 8th

  • October 8, 2011
  • Kevin Gaughan
View Article
Next Article
  • Experimental
  • R&B

The Weeknd – Initiation

  • October 8, 2011
  • Charles David
View Article
You May Also Like
View Article
  • New Music
  • R&B
  • Soul

Ady Suleiman’s soulful journey in “What If” will leave you hooked

  • December 19, 2025
View Article
  • New Music
  • R&B
  • Soul

Khi Infinite closes 2025 strong with "HOUSE"

  • December 19, 2025
View Article
  • Instrumental
  • Pop

Daniel Powter shares joyous, fun-filled christmas anthem "Celebrate the Holidays"

  • December 18, 2025
View Article
  • Alt-Pop
  • Alternative
  • Alternative Rock
  • Grunge
  • Indie
  • Indie Pop
  • Indie Rock
  • Pop
  • R&B
  • Shoegaze
  • Singer/songwriter
  • Soul

Artists on the radar for 2026: Part 2

  • December 17, 2025
View Article
  • New Music
  • Uncategorized

Lucy Kruger & The Lost Boys offers a tribute to voice from the past on "Woolf"

  • December 16, 2025
View Article
  • New Music
  • Uncategorized

Experimental artist Factor Eight transforms injury to inspiration on "ALIVE"

  • December 16, 2025
View Article
  • Indie
  • Soul

Sylvaner shares intimate debut track “Pentimento”

  • December 15, 2025
View Article
  • Alt-Pop
  • Electronic
  • Uncategorized

Acapla shares energizing new single "Somewhere i'm not supposed to be"

  • December 15, 2025
Popular Music
  • Paul Hennessy
    Paul Hennessy turns time into art on "The Cost Of The Escape" [Album]
    • December 22, 2025
  • Saynt Ego
    Saynt Ego’s “Voices” turns quiet reflection into cinematic power
    • December 22, 2025
  • David J Boswell
    David J Boswell turns uncertainty into art on hypnotic new single “I KNOW WHAT I SAW”
    • December 22, 2025
  • Neurolapse
    Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]
    • December 22, 2025
  • The Venice Kid
    The Venice Kid ushers in a bold new era with “Say Less”
    • December 21, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.