EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Drum and Bass
  • Electronic

Tut Tut Child reshapes "Sad Machine" by Porter Robinson into a slick drum n' bass remix

  • June 1, 2014
  • Cailey Lindberg
Total
0
Shares
0
0

Following his release of “Drink Up” on the new Monstercat Ascension 017 album UK based producer Tut Tut Child’s new bootleg remix hits on the two essential factors to produce a good re-work. For a producer to make a remix his own, he must put his own spin on the original while retaining what made us listen in the first place, reverberated vocals that float over subtle synths and breakdowns. Here, Nick Kingsley put a simple yet effective tweak of speeding up the overall flow and rhythm of the track into slick, unadulterated drum n’ bass. The result is anything but a "sad machine" and is instead a fast-moving upbeat tune that exudes joy in rhythmic precision. 

 [soundcloud url="https://api.soundcloud.com/tracks/151345689" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

  • Tut Tut Child on Soundcloud
  • Tut Tut Child on Facebook
  • Tut Tut Child on Twitter 
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Porter Robinson
  • Tut Tut Child
Cailey Lindberg

Previous Article
  • Electro Soul
  • Electronic
  • Future Funk
  • House

Feel nostalgic with Harrison's "Akira" video

  • June 1, 2014
  • Rasheed Tulay
View Article
Next Article
  • Easy Listening
  • Electronic

Daktyl and JJ Draper, together known as Shiloh, sample and soothe on "Volta"

  • June 1, 2014
  • Aime Vous
View Article
You May Also Like
View Article
  • Drum and Bass

Banny Decks drops uplifting drum and bass anthem “You Got That Something”

  • January 16, 2026
View Article
  • Ambient
  • Atmospheric
  • Easy Listening

Rina Rain invites us to slow down with beautiful track "Om Mani Padme Hum"

  • January 16, 2026
View Article
  • Electronic

JUJO shares a groove-rich, uniquelt soulful look into disco on "Currents" – via Sidekick music

  • January 16, 2026
View Article
  • Electronic
  • Indie
  • Interviews

Wavewulf chats 'Oscillation', his love for Depeche Mode, grief and more [Interview]

  • January 15, 2026
View Article
  • Electronic
  • Feature
  • Mainstage
  • Techno

Daijo is shaping the future of Melodic Techno with pure heart and soul

  • January 15, 2026
View Article
  • Alt-Pop
  • Electronic
  • Industrial
  • Mainstage

CARRIE ABYSS reclaims her voice on new concept EP ‘Hey, Sinner’ [EP Review]

  • January 14, 2026
View Article
  • Electronic
  • Pop

A PRIORI and URBANO connect for invigorating single "No Place Like Home"

  • January 12, 2026
View Article
  • Electro Pop
  • Electronic
  • Hyperpop
  • Mainstage
  • New Music

Debbie Sings embraces controlled chaos on “Sucker Punch”

  • January 9, 2026
Popular Music
  • Doctor Noize, Vivian Fang Liu and Alphabet Rockers release musical celebration “DIVERSITY” [Video]
    • January 19, 2026
  • OUTER encapsulates joy and uncertainty in intimate track "In Limbo"
    • January 19, 2026
  • Nick Flessa shares cinematic track “Medicine Hat City Slogan,” from upcoming album 'A Different Kind of Energy'
    • January 19, 2026
  • Marley Chaney captures self-discovery on emotive album 'Where I Go When I Leave You'
    • January 19, 2026
  • The Infamous HER shares unapologetic track and visuals "Born Outta Step"
    • January 19, 2026
Recent Scoops
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.